OldiesButGoodies

Country

Toby Keith – My List

My List - song and lyrics by Toby Keith | Spotify

Introduction:

American country music artist Toby Keith released “My List” in 2002 as the closing track on his studio album Pull My Chain. This song, penned by songwriters Tim James and Rand Bishop, became the third and final single from the album, following the chart successes of the title track and “A Little More Time.”

While “My List” didn’t achieve the same level of commercial dominance as its predecessors, it still holds a significant place within Toby Keith’s vast discography. Released at the height of his career, the song captured the essence of his signature style – a blend of heartland rock and traditional country themes – resonating with fans who connected with its relatable message.

Producer James Stroud, known for his work with established country artists like Ronnie Milsap and Wynonna Judd, collaborated with Keith on “My List”. Stroud’s production choices on the song leaned towards a stripped-down, acoustic-driven arrangement, allowing Keith’s distinctive vocals to take center stage.

While “My List” never cracked the Top 40 of the Billboard Hot Country Songs chart, it peaked at number 59 in December of 2001. Despite this, the song found a dedicated audience and continues to be a fan favorite at Toby Keith concerts.

The song’s lyrics explore a man reflecting on his life’s journey, detailing a personal list of experiences and aspirations. This introspective approach offered a glimpse into a different side of Keith, who was often known for his more brash and patriotic anthems.

“My List” serves as a testament to Toby Keith’s ability to connect with his audience on a deeper level. It may not be his most commercially successful song, but its enduring appeal lies in its relatable themes and heartfelt delivery, solidifying its place within the tapestry of Toby Keith’s musical legacy.

Video:

https://youtu.be/-uDxF5q0V9s?si=Sc3Vm7CNGR9rWjCw

Lyrics:

Under an old brass paperweightIs my list of things to do todayGo to the bank and the hardware storePut a new lock on the cellar door
I cross ’em off as I get ’em doneBut when the sun is settledThere’s still more than a few things leftI haven’t got to yet
Go for a walk, say a little prayerTake a deep breath of mountain airPut on my glove and play some catchIt’s time that I make time for thatWade the shore and cast a lineLook up an old lost friend of mineSit on the porch and give my girl a kissStart livin’, that’s the next thing on my list
Wouldn’t change the course of fateThe cutting the grass just had to wait‘Cause I’ve got more important thingsLike pushin’ my kid on the backyard swing
I won’t break my back for a million bucksI can’t take to my graveSo why put off for tomorrowWhat I could get done today
Like go for a walk, say a little prayerTake a deep breath of mountain airPut on my glove and play some catchIt’s time that I make time for thatWade the shore, cast a lineLook up an old lost friend of mineSit on the porch and give my girl a kissStart livin’, that’s the next thing on my list
Raise a little hell, laugh ’til it hurtsPut an extra five in the plate at churchCall up my folks just to chatIt’s time that I make time for thatStay up late, and oversleepShow her what she means to meCatch up on all the things I’ve always missedJust start livin’, that’s the next thing on my list
Under an old brass paperweightIs my list of things to do today

Related Post

Merle Haggard’s childhood was becoming increasingly chaotic when something entered his life that would eventually change everything: a guitar. His older brother Lowell gave him one when Merle was around 12. Merle began teaching himself, absorbing the records and styles of country heroes such as Bob Wills, Lefty Frizzell and Hank Williams. There were no expensive lessons preparing him for Nashville. There was simply a troubled California kid listening closely and learning how another man’s sadness could live inside a melody. Merle would still make plenty of mistakes. Music didn’t instantly rescue him from running away, juvenile detention or eventually prison. But the guitar remained. Years later, millions would recognize Merle’s voice within seconds. Perhaps that’s because he wasn’t merely learning how to sing songs as a boy. He was slowly learning how to tell the truth about his own life.

Merle Haggard rarely needed to invent heartbreak. He had known it since childhood. In 1946, when Merle was only nine years old, his father, James Haggard, died following a stroke. For a boy who deeply needed his father’s presence, the loss became a turning point. His mother, Flossie, worked to support the family. Merle, meanwhile, became increasingly restless. He skipped school, ran away, got into trouble, and began a long journey through juvenile institutions that eventually led somewhere far darker. Looking back at his life, it is difficult not to see that nine-year-old boy behind many of the adult Merle Haggard’s songs. People later called him a rebel, an outlaw and a survivor. But before any of those labels existed, there was simply a grieving boy who had lost his dad—and never seemed to completely outrun that loss.

THE RAREST BEE GEES MOMENT OF ALL — FOUR GIBB BROTHERS, ONE SONG, ONE STAGE… AND A MEMORY FILLED WITH BOTH JOY AND HEARTBREAK.

You Missed

Oldies Music

Even though he could barely stay on his feet, Robin Gibb kept singing. As thousands cheered for the Bee Gees icon, few realized the grueling struggle he was concealing—turning what seemed like an ordinary performance into something far more heart-wrenching.

Oldies Music

“CLIFF RICHARD AND OLIVIA NEWTON-JOHN SHARED DECADES OF MUSIC, LAUGHTER, AND FRIENDSHIP — BUT IN AUGUST 2022, CLIFF HAD TO SAY GOODBYE TO A WOMAN WHO HAD BEEN PART OF HIS LIFE FOR MORE THAN HALF A CENTURY…” Long before Olivia Newton-John became an international superstar through Grease and her remarkable recording career, she and Cliff Richard had already formed a musical connection. Their friendship grew during the early 1970s, when Olivia appeared on Cliff’s television show and the two performers began sharing music with audiences. In 1971, they recorded “Don’t Move Away,” one of their early collaborations. Over the following decades, their careers took different paths, but their friendship endured. They reunited for performances, shared memorable musical moments, and remained connected through an industry that was constantly changing. Then, on August 8, 2022, Olivia Newton-John died at the age of 73 following a long experience with breast cancer. For Cliff, it meant losing a friend whose presence had been woven into his musical life for decades. Their old performances suddenly carried a different emotional weight. The smiles, familiar melodies, and effortless warmth between them became reminders of a friendship that could no longer continue in person. Some musical partnerships are remembered for the records they produce. Others are remembered because the affection between two people seems to survive long after the final note. For Cliff Richard and Olivia Newton-John, their story was always about more than music.

Oldies Music

“AFTER NEARLY TWO DECADES IN MUSIC, CLIFF RICHARD WAS NO LONGER THE TEENAGE IDOL BRITAIN ONCE KNEW — THEN A SONG CALLED ‘DEVIL WOMAN’ GAVE HIM SOMETHING HE HAD NEVER TRULY ACHIEVED BEFORE…” By 1976, Cliff Richard had already experienced a lifetime of fame. He had been Britain’s answer to Elvis Presley, starred in successful films, and recorded songs that defined an entire generation. But the music world had changed. The Beatles had transformed British pop, new artists were dominating the charts, and the young rock-and-roll rebel of 1958 was now a 35-year-old performer searching for his place in a different musical era. Then came “Devil Woman.” Written by Terry Britten and Christine Holmes, the mysterious, guitar-driven song sounded unlike many of Cliff’s earlier hits. It became one of the defining recordings of his career. In Britain, it reached No. 9. But the real surprise came across the Atlantic. “Devil Woman” climbed to No. 6 on the Billboard Hot 100, giving Cliff his first major breakthrough in the American pop market. After nearly twenty years of success at home, he was finally reaching a new generation of listeners in the United States. It was more than another hit record. It proved that a singer who had emerged in the 1950s could still sound fresh in the 1970s. Cliff Richard hadn’t simply survived changing musical fashions. With “Devil Woman,” he reminded the world that his story was far from over.

Oldies Music

“Shadow Dancing” Put Andy Gibb’s Name on the Record—and All Four Brothers Behind the Song. In 1978, “Shadow Dancing” reached number one in America under Andy Gibb’s name. Its songwriting credit told a wider family story: Andy, Barry, Robin, and Maurice had written it together. The collaboration took shape in Los Angeles while the older brothers were working on the Sgt. Pepper’s Lonely Hearts Club Band film. Andy was building a solo career, and this record gave that career another defining success. Barry also shared production duties with Albhy Galuten and Karl Richardson, connecting Andy’s recording to the studio team behind the Bee Gees’ recent hits. Yet Andy remained the featured singer, carrying the song in his own voice. “Shadow Dancing” became his third consecutive American number one and Billboard’s leading single of 1978. Behind that individual achievement sits a rare, concrete document of all four Gibb brothers working on the same composition.