Toby Keith – High Maintenance Woman

Toby Keith – High Maintenance Woman (2007, CD) - Discogs

Introduction:

Released in February 2007, High Maintenance Woman is a country song that served as the lead single for Toby Keith’s eleventh studio album, Big Dog Daddy. The track exemplifies Keith’s signature style, a blend of easygoing country twang with a touch of rock and roll swagger. High Maintenance Woman was co-written by Keith alongside Tim Wilson and Danny Simpson. Keith is no stranger to songwriting, having penned many of his hits throughout his career. This particular song also credits Wilson and Simpson as co-writers, though the extent of their contribution is not publicly available.

High Maintenance Woman was not only the lead single for the album but also its most commercially successful song. The track reached number one on the Billboard Hot Country Singles & Tracks chart, a significant accomplishment in the country music industry. It remained at the top spot for four weeks, solidifying High Maintenance Woman as a major hit for Keith.

The song’s critical reception was generally positive. Reviews appreciated the lighthearted and humorous take on a romantic relationship with a high-maintenance partner. High Maintenance Woman became a staple at Keith’s concerts, a sing-along favorite amongst his fans. The music video, directed by Michael Salomon, featured Keith alongside actress Brittany Daniel portraying the High Maintenance Woman.

High Maintenance Woman is a noteworthy song in Toby Keith’s discography. Not only did it top the charts but also captured the essence of his musical style and resonated with his audience. The song remains a popular choice for country radio stations and continues to be a fan favorite at Keith’s live performances.

Video:

Lyrics:

I see her layin’ by the poolside every dayShe ain’t got a lot onShe ain’t got a lot to say
She wouldn’t look my wayBut, buddy, what do you expect?I’m just the fix-it-up boy at the apartment complex
And she’ll go out dancin’ ’bout 7:15Climb into the back of a long limousineI know where she’s goin’She’s goin’ downtownI’m goin’ downtown too, and take a look around
She’s my baby dollShe’s my beauty queenShe’s my movie starBest I ever seenI ain’t hooked it up yetBut I’m tyin’ hard as I canIt’s just a high maintenance womanDon’t want no maintenance man
I’m just sittin’ ’round waitin’ on a telephone callAfter water pipe exploded in the living room wallIf your washer and dryer need a repairYou know the handyman’s waitin’And he’ll be right there
Twenty-four hoursSeven days a weekIf it’s gettin’ clogged up or maybe startin’ to leakJust ring up my number, baby, give me a tryYou know I got all the toolsAnd I can satisfy
She’s my baby dollShe’s my beauty queenShe’s my movie starBest I ever seenI ain’t asked her out yet‘Cause I don’t know if I canYou see, a high maintenance womanDon’t want no maintenance man
She’s my baby dollShe’s my beauty queenShe’s my movie starBest I ever seenI ain’t hooked it up yetBut I’m tryin’ hard as I canIt’s just a high maintenance womanDon’t want no maintenance manAin’t no high maintenance womanGonna fall for a maintenance man

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“IN 1968, CLIFF RICHARD WALKED ONTO THE EUROVISION STAGE WITH A SONG BRITAIN BELIEVED COULD WIN — BUT WHEN THE FINAL VOTES WERE COUNTED, JUST ONE POINT STOOD BETWEEN HIM AND VICTORY…” On April 6, 1968, Cliff Richard stepped onto the Eurovision stage at London’s Royal Albert Hall. He was already one of Britain’s biggest stars, and expectations were enormous. His song was called “Congratulations.” Bright, cheerful, and instantly memorable, it seemed perfectly suited to a contest watched by millions across Europe. But as the voting unfolded, the competition became painfully close. Britain and Spain were fighting for the top position. When the final scores were announced, Spain’s Massiel had won with 29 points. Cliff Richard finished second with 28. Just one point. For a singer accustomed to topping the British charts, it was a disappointing result on one of Europe’s biggest stages. Yet the story didn’t end with the scoreboard. “Congratulations” went on to reach No. 1 in the United Kingdom and became one of Cliff’s most recognizable recordings. Decades later, its melody remains associated with birthdays, anniversaries, and countless celebrations. There is something wonderfully ironic about that Eurovision night. The song called “Congratulations” didn’t win the contest. But it earned a place in popular culture that outlasted the disappointment of finishing second. Cliff Richard lost Eurovision by one point — yet more than half a century later, millions still remember the song.