OldiesButGoodies

Country

Toby Keith – A Little Too Late

Toby Keith Almost Left Latest Hit, 'Made in America,' Off New Album

Introduction:

Country music singer-songwriter Toby Keith released A Little Too Late in 2006 as part of his studio album White Trash with Money. This marked the second single released from the album following the title track. While not achieving the same level of chart dominance as White Trash with Money, A Little Too Late still became a significant hit for Keith.

A Little Too Late was co-written by Keith with two frequent collaborators: Scotty Emerick and Dean Dillon. Emerick is a multi-instrumentalist who has played on numerous recordings throughout his career, including several of Keith’s albums. Dillon, a legendary songwriter, has penned hits for a wide variety of country music artists including Kenny Rogers, George Strait, and Tanya Tucker. Keith himself is no stranger to songwriting acclaim, having written many of his own chart-topping hits.

A Little Too Late reached the Top 5 on the Billboard Hot Country Songs chart, solidifying Keith’s status as a powerhouse in the country music industry. The song demonstrated his ability to connect with listeners through relatable themes and his signature baritone vocals. A Little Too Late further enhanced Keith’s reputation as a country music traditionalist, comfortable exploring themes of heartbreak and resilience that resonate with fans.

The critical reception for A Little Too Late was generally positive. While some reviewers found the song’s message to be familiar territory for Keith, many praised the straightforward delivery and strong songwriting. A Little Too Late became a popular choice for radio airplay and helped to solidify White Trash with Money as another successful album for Toby Keith.

Video:

https://youtu.be/nOd2NuHgwew?si=eVrcsU1TaXZBxC52

Lyrics:

It’s a little too lateI’m a little too goneA little too tired of this hangin’ onSo I’m letting go while I’m still strong enough to
It’s got a little too sadI’m a little too blueIt’s a little too bad, you were too good to be trueI’m big time over you, babyIt’s a little too late
No, I don’t want to talk about what we can do about us anymoreOnly time you and me wastin’ is the time it takes to walk right out that doorYeah, talk about water under the bridgeYou should know by now, girl, that’s all this is
It’s a little too lateI’m a little too goneA little too tired of just hangin’ onI’m letting go while I’m still strong enough to
It’s got a little too sadI’m a little too blueIt’s a little too bad you were too good to be trueI’m big time over you, babyIt’s a little too late
There was a time this heart of mineWould take you back every time, don’t you know?But that’s been two packs of cigarettesA sleepless night, a nervous wreck a day ago
Now you ain’t got no business coming aroundI’m closing up shopShuttin’ us down
It’s a little too lateI’m a little too goneI’m a little too tired of just hangin’ onSo I’m letting go while I’m still strong enough to
It’s got a little too sadI’m a little too blueIt’s a little too bad you were too good to be trueI’m big time over you, babyIt’s a little too lateI’m big time over you, babyIt’s a little too late

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Merle Haggard’s childhood was becoming increasingly chaotic when something entered his life that would eventually change everything: a guitar. His older brother Lowell gave him one when Merle was around 12. Merle began teaching himself, absorbing the records and styles of country heroes such as Bob Wills, Lefty Frizzell and Hank Williams. There were no expensive lessons preparing him for Nashville. There was simply a troubled California kid listening closely and learning how another man’s sadness could live inside a melody. Merle would still make plenty of mistakes. Music didn’t instantly rescue him from running away, juvenile detention or eventually prison. But the guitar remained. Years later, millions would recognize Merle’s voice within seconds. Perhaps that’s because he wasn’t merely learning how to sing songs as a boy. He was slowly learning how to tell the truth about his own life.

Merle Haggard rarely needed to invent heartbreak. He had known it since childhood. In 1946, when Merle was only nine years old, his father, James Haggard, died following a stroke. For a boy who deeply needed his father’s presence, the loss became a turning point. His mother, Flossie, worked to support the family. Merle, meanwhile, became increasingly restless. He skipped school, ran away, got into trouble, and began a long journey through juvenile institutions that eventually led somewhere far darker. Looking back at his life, it is difficult not to see that nine-year-old boy behind many of the adult Merle Haggard’s songs. People later called him a rebel, an outlaw and a survivor. But before any of those labels existed, there was simply a grieving boy who had lost his dad—and never seemed to completely outrun that loss.

THE RAREST BEE GEES MOMENT OF ALL — FOUR GIBB BROTHERS, ONE SONG, ONE STAGE… AND A MEMORY FILLED WITH BOTH JOY AND HEARTBREAK.

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