Introduction:
Sara Evans, a voice synonymous with contemporary country music that often carries a thread of traditional sensibility, offers in “Feel It Comin’ On” a glimpse into the undeniable power of burgeoning emotion. Released in 2002 as a single from her acclaimed album Restless, this song resonates not with grand pronouncements, but with a palpable sense of anticipation and the subtle shifts in inner feeling that precede a significant emotional event. It speaks to the universal experience of recognizing an impending change within oneself, a stirring that can be both exhilarating and perhaps a touch unsettling.
What distinguishes “Feel It Comin’ On” is its ability to capture the delicate balance between internal awareness and external manifestation. The lyrics, co-written by Shane Minor and Clay Mills, masterfully employ evocative imagery to portray this unfolding sensation. Phrases such as “a little shiver runnin’ down my spine” and “a little tremble in my knees” paint a vivid picture of the physical sensations that often accompany a significant emotional awakening. This attention to the body’s subtle language allows the listener to connect with the song on a deeply personal level, recognizing the familiar signs of an inner shift.
Evans’ vocal delivery is crucial to the song’s effectiveness. Her voice, known for its clarity and emotional depth, navigates the nuances of the melody with a compelling blend of vulnerability and strength. She conveys the sense of something inevitable approaching, a force that is gathering momentum within. There’s a certain knowing in her tone, an understanding of the power of these internal stirrings, without resorting to overt declarations. This understated approach lends a layer of sophistication to the performance, allowing the emotional weight of the song to unfold gradually.
The musical arrangement of “Feel It Comin’ On” complements the lyrical and vocal themes perfectly. The instrumentation, rooted in contemporary country traditions, builds with a subtle intensity, mirroring the internal build-up described in the lyrics. The interplay of guitars, percussion, and subtle melodic flourishes creates a sense of anticipation, drawing the listener into the emotional landscape of the song. It avoids excessive ornamentation, allowing the core message of impending feeling to remain at the forefront.
“Feel It Comin’ On” is not simply about a singular emotion; it speaks to the broader human experience of recognizing the nascent stages of significant internal change. It could be the stirring of affection, the dawning of a realization, or the subtle signs of an approaching turning point. The beauty of the song lies in its ambiguity, allowing listeners to project their own experiences onto its narrative. It serves as a reminder of the powerful connection between our inner world and our physical being, and the often-unmistakable signals that precede moments of emotional significance. In its nuanced portrayal of these internal stirrings, Sara Evans offers a song that resonates with a mature understanding of the human heart.