Kenny Rogers & Dolly Parton – Love Is Strange

Love Is Strange: Kenny Rogers, Bernie Leadon, Glenn Worf, Matt Rollings, Michael Rhodes, John Leslie Hug, Terry McMillan, Joe Chemay, Jim Photoglo, Steve Gibson, Jennifer O'Brien Enoch, The Nashville String Machine, Paul

Introduction:

Love Is Strange is not originally a song by Kenny Rogers and Dolly Parton. It was originally a rhythm and blues duet by Mickey & Sylvia, released in late 1956 [Wikipedia Love Is Strange]. The song became a hit, reaching number one on the Billboard Rhythm and Blues chart and number 14 on the Billboard Hot 100 chart [Wikipedia Mickey & Sylvia].

However, the country music world embraced the song decades later. In 1990, Kenny Rogers released a studio album titled Love Is Strange, featuring a cover of the title track sung as a duet with the iconic country singer Dolly Parton. The producer for this album was Gary S. Paxton [Kenny Rogers – Love Is Strange (1990, CD) – Discogs]. While not achieving the same level of chart success as the original version, it did reach number 21 on the U.S. country singles chart [Kenny Rogers – Love Is Strange (with Dolly Parton) – YouTube].

This cover brought renewed attention to the song for a country audience, showcasing the enduring appeal of Love Is Strange. The pairing of Rogers and Parton, two of country music’s most beloved voices, added a special charm to the song. Their rich vocals and undeniable chemistry helped make this cover a fan favorite.

The decision to record Love Is Strange reflects the broader trend in country music during the 1980s and 1990s of embracing outside influences. While country music has always incorporated elements from other genres, this era saw a particular focus on pop and adult contemporary music. Songs with smoother melodies and polished production found a home on country radio, and Love Is Strange fit neatly into this trend.

The country rendition of Love Is Strange by Kenny Rogers and Dolly Parton stands as a testament to the song’s versatility and enduring popularity. It demonstrates the ability of country music to incorporate elements from other genres while still retaining its own distinct identity.

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