Neither One of Us (Wants to Be the First to Say Goodbye) - YouTube

Introduction:

In the vast and ever-shifting landscape of American popular music, few voices have retained their warmth, clarity, and grace quite like Johnny Mathis. Emerging during a golden age of crooners in the late 1950s, Mathis carved a niche that transcended mere chart performance—he became a trusted companion for moments of love, longing, and introspection. And in revisiting his exquisite interpretation of the classic ballad “Then You Can Tell Me Goodbye,” we find not only a masterful vocal performance, but also a poignant meditation on the nature of parting, dignity, and emotional restraint.

Originally written by John D. Loudermilk and first made popular in 1967 by The Casinos, “Then You Can Tell Me Goodbye” has long been cherished for its gentle progression and lyrical vulnerability. However, it is in Johnny Mathis’ rendition that the song finds new emotional depth and subtle elegance. Recorded with characteristic finesse, Mathis brings a silken maturity to the piece—his phrasing careful and contemplative, his tone rich with quiet yearning.

The arrangement accompanying Mathis is understated yet textured. A delicate interplay of strings, subdued piano chords, and restrained percussion provides a soft cushion for his voice to glide upon. There’s no melodramatic swell, no grand crescendo. Instead, there is intimacy—a closeness between singer and listener that feels like a quiet conversation at dusk. It’s a rare and refined emotional space, the kind that only a seasoned artist like Mathis can cultivate.

What truly sets this version apart, however, is the sense of control and emotional wisdom it radiates. The lyrics themselves—asking a partner to stay “until your arms are tired”—are a graceful appeal, one that places love above pride. In Mathis’ hands, these words become more than a plea; they become a final gift of understanding and kindness. He does not beg. He offers. And therein lies the enduring power of the song.

In a time where emotional expression in music can often feel exaggerated or fleeting, Johnny Mathis’ “Then You Can Tell Me Goodbye” is a reminder of another era—when restraint could be powerful, when farewells could be noble, and when a single voice, gently placed within a song, could carry the weight of a thousand emotions.

Whether you are returning to this track after many years or encountering it for the first time, allow yourself the space to absorb it slowly. Let the melody unfold. Let the voice guide you. And when it’s done, if only for a moment, you may find yourself reflecting not only on the nature of goodbye—but on the quiet beauty of having loved at all.

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