OldiesButGoodies

Country

“Getcha Some” – Toby Keith

Toby Keith - UMe | Official Website

Introduction:

Toby Keith’s “Getcha Some” is a country rap song that was released in 1998 as the lead single from his compilation album Greatest Hits Volume One. The song was written by Keith with Chuck Cannon. It peaked at number 18 on the U.S. Billboard Hot Country Songs chart and number 22 on the Canadian RPM Country Tracks chart. It also peaked at number 2 on the U.S. Billboard Bubbling Under Hot 100 chart.

The song is about a man who is trying to achieve higher things in life. First he needs love and to get the love he needs money. Once he gets the money, he gets the love but after a while he still doesn’t feel fulfilled and realizes he needs to have children.

The song has been certified gold by the RIAA. It has also been featured in several movies and television shows, including The Dukes of Hazzard: The Beginning and The Simpsons.

“Getcha Some” is one of Toby Keith’s most popular songs. It has been praised for its catchy melody and its relatable lyrics. The song has also been criticized for its misogynistic lyrics.

Video:

https://youtu.be/Fjftii-T3YY?si=XSqYKGBK6p8hAQLt

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On April 6, 2016 — the very day he turned 79 — Merle Haggard took his final breath after calmly telling his family, “Today’s the day.” No dramatic hospital chaos. No public spectacle. Just a man who had always lived on his own terms choosing to meet the end the same way. His departure was as deliberate and unshaken as the outlaw spirit that defined him. While the world mourned, Haggard exited quietly — steady, self-possessed, unapologetically himself. And though his voice fell silent that day, it never truly faded. Through songs like “Sing Me Back Home,” his legacy still echoes — raw, haunting, and impossible to forget.

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THE LAST TIME THE CROWD ROSE FOR MERLE HAGGARD — HE WOULD NEVER WALK ONSTAGE AGAIN. They carried him through the doors wrapped in the very flag he once sang about — and in the stillness that followed, there was something almost audible… a fragile echo only lifelong listeners could feel in their bones. Merle Haggard’s story closed the same way it opened: unpolished, honest, and deeply human. From being born in a converted boxcar during the Great Depression to commanding the grandest stages across America, his life unfolded like a country ballad etched in grit, regret, resilience, and redemption. Every lyric he sang carried the weight of lived experience — prison walls, hard roads, blue-collar truths, and hard-earned second chances. Those who stood beside his casket said the atmosphere felt thick, as if the room itself refused to forget the sound of his voice. It wasn’t just grief in the air — it was reverence. A stillness reserved for someone whose music had become stitched into the fabric of ordinary lives. One of his sons leaned close and murmured, “He didn’t really leave us. He’s just playing somewhere higher.” And perhaps that’s the only explanation that makes sense. Because artists like Merle don’t simply vanish. They transform. They become the crackle of an AM radio drifting through a late-night highway. They become the soundtrack of worn leather seats and long stretches of open road. They live in jukebox corners, in dance halls, in quiet kitchens where memories linger longer than the coffee. Somewhere tonight, a trucker tunes in to an old melody. Somewhere, an aging cowboy lowers his hat and blinks back tears. And somewhere in that gentle hum of steel guitar and sorrow, a whisper carries through: “Merle’s home.”

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