The Genius Of... All Things Must Pass by George Harrison

Introduction:

Released in 1970, “My Sweet Lord” stands as a pivotal moment in the career of George Harrison, the quiet Beatle who emerged from the shadow of Lennon-McCartney with a newfound spiritual fervor and a desire to express his burgeoning musical individuality. This track, a blissful blend of Mandopop influences and soulful harmonies, became an instant sensation, topping charts worldwide and solidifying Harrison’s status as a solo artist of immense talent.

However, “My Sweet Lord” is more than just a catchy tune. It’s a deeply personal and spiritual expression of Harrison’s newfound devotion to Hare Krishna, a branch of Hinduism that profoundly impacted his worldview and artistic output. The song’s lyrics, though seemingly simple, are imbued with a profound sense of mysticism and devotion, reflecting Harrison’s journey towards self-discovery and spiritual enlightenment.

The song’s genesis lies in Harrison’s travels to India in 1966, where he was captivated by the country’s rich cultural tapestry and spiritual traditions. His encounters with Indian classical music and Eastern philosophy profoundly shaped his musical sensibilities and worldview. Upon his return, he began to explore these influences, incorporating elements of sitar and tabla into his compositions.

“My Sweet Lord” reflects this newfound appreciation for Eastern music. The song’s melody, characterized by its repetitive and hypnotic quality, draws inspiration from Indian devotional songs known as bhajans. The use of the tambura, a drone instrument commonly used in Indian classical music, further enhances the song’s mystical and ethereal atmosphere.

Beyond its musical innovations, “My Sweet Lord” resonated deeply with audiences worldwide. Its message of love, peace, and spiritual transcendence resonated with a generation grappling with social and political unrest. The song’s infectious melody and uplifting message provided solace and hope during a time of profound social and political upheaval.

However, the song’s success was not without its controversies. In 1976, Harrison was sued for plagiarism by Ronald Blackwell, who claimed that “My Sweet Lord” infringed upon his 1962 song, “He’s So Fine.” After a lengthy legal battle, Harrison was found guilty of subconscious plagiarism, a verdict that raised significant questions about creativity, originality, and the nature of artistic inspiration.

Despite this legal setback, “My Sweet Lord” remains a beloved and enduring classic. It stands as a testament to Harrison’s artistic growth and his unwavering commitment to exploring new musical horizons. The song’s enduring popularity speaks to its timeless message of love, peace, and spiritual transcendence, a message that continues to resonate with listeners across generations.

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THE LAST TIME THE CROWD ROSE FOR MERLE HAGGARD — HE WOULD NEVER WALK ONSTAGE AGAIN. They carried him through the doors wrapped in the very flag he once sang about — and in the stillness that followed, there was something almost audible… a fragile echo only lifelong listeners could feel in their bones. Merle Haggard’s story closed the same way it opened: unpolished, honest, and deeply human. From being born in a converted boxcar during the Great Depression to commanding the grandest stages across America, his life unfolded like a country ballad etched in grit, regret, resilience, and redemption. Every lyric he sang carried the weight of lived experience — prison walls, hard roads, blue-collar truths, and hard-earned second chances. Those who stood beside his casket said the atmosphere felt thick, as if the room itself refused to forget the sound of his voice. It wasn’t just grief in the air — it was reverence. A stillness reserved for someone whose music had become stitched into the fabric of ordinary lives. One of his sons leaned close and murmured, “He didn’t really leave us. He’s just playing somewhere higher.” And perhaps that’s the only explanation that makes sense. Because artists like Merle don’t simply vanish. They transform. They become the crackle of an AM radio drifting through a late-night highway. They become the soundtrack of worn leather seats and long stretches of open road. They live in jukebox corners, in dance halls, in quiet kitchens where memories linger longer than the coffee. Somewhere tonight, a trucker tunes in to an old melody. Somewhere, an aging cowboy lowers his hat and blinks back tears. And somewhere in that gentle hum of steel guitar and sorrow, a whisper carries through: “Merle’s home.”