OldiesButGoodies

Country

Gene Watson – I Feel A Sin Coming On

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Introduction:

Gene Watson’s “I Feel A Sin Coming On” is a timeless country ballad that has captivated audiences for decades. Released in 1969, the song quickly became a fan favorite and a defining moment in Watson’s career.

The song’s narrative explores a man’s internal struggle with temptation and desire. Watson’s soulful vocals convey the character’s conflicted emotions, as he grapples with the allure of sin while simultaneously recognizing its potential consequences. The lyrics, penned by Don Wayne, paint a vivid picture of the protagonist’s emotional turmoil, making the song relatable to listeners across generations.

“I Feel A Sin Coming On” showcases Watson’s ability to blend traditional country elements with a touch of soulfulness. The song’s arrangement features a steady rhythm, accompanied by Watson’s heartfelt vocals and the subtle interplay of instruments. This combination creates a captivating atmosphere that draws listeners in and keeps them engaged throughout the song.

The enduring popularity of “I Feel A Sin Coming On” can be attributed to its timeless themes, Watson’s powerful performance, and the song’s ability to connect with listeners on a deep emotional level. It remains a cornerstone of Watson’s discography and a beloved classic in the world of country music.

Video:

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Merle Haggard built a career on telling hard truths—about heartache, prison walls, regret, and the long road of a man forever outrunning his own ghosts. He was country music’s lone drifter: unpolished, rebellious, and fearless when it came to exposing the wounds he carried. Theresa Haggard was never meant to stand beside him as a headline name, yet on one unforgettable night, she became the quiet force holding him upright. At what many now regard as his last live appearance, his body was visibly failing him. Midway through “Today I Started Loving You Again,” he surprised everyone. He signaled to the band to lower the volume. He didn’t meet the crowd’s gaze. Instead, he turned toward the shadowed edge of the stage and gently raised his hand, beckoning Theresa. She didn’t step forward to harmonize. She came to steady him. The auditorium fell into a reverent hush. There was no dramatic duet, no soaring finale—just the stark image of a once-restless outlaw resting his head against his young wife’s shoulder, drawing from her the strength he no longer had on his own. Supported by her quiet presence, he gathered himself and delivered the song’s final lines with trembling resolve. Many believe the greatest gift Merle left Theresa was not cataloged in gold records or chart history. He passed away on his birthday, and later, tucked inside the pocket of his jacket, a small cassette tape was discovered. It did not contain music. Instead, it held something far more intimate—a fragile confession, a deeply personal reckoning with chapters of his past he had never entrusted to journalists or public memory.

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