Gene Watson – I Don’t Know How To Tell Her

Introduction:

Released in 1978, “I Don’t Know How To Tell Her” is a timeless country ballad that showcases Gene Watson’s heartfelt vocals and songwriting prowess. The song quickly became a commercial and critical success, solidifying Watson’s position as one of the leading voices in traditional country music.

Penned by Skip Ewing and Bill Mack, “I Don’t Know How To Tell Her” tells the poignant story of a man struggling to come to terms with his unrequited love for a married woman. Watson’s emotive delivery captures the character’s internal conflict and the pain of longing for someone who is unattainable. The song’s relatable theme and Watson’s genuine performance resonated with audiences, earning it a top 10 spot on the Billboard Hot Country Singles chart.

“I Don’t Know How To Tell Her” also marked a significant milestone in Watson’s career, establishing him as a versatile artist capable of delivering both upbeat and sentimental tunes. The song’s success propelled Watson to stardom, and he went on to record a string of chart-topping hits throughout the 1980s and beyond.

Despite the passage of time, “I Don’t Know How To Tell Her” remains a beloved classic in country music. Its enduring popularity is a testament to Watson’s talent and the timeless nature of its message. The song’s impact can be seen in the countless artists who have cited it as an inspiration, and it continues to be performed and enjoyed by fans of all ages.

Video:

https://youtu.be/EtCDco7_-p4?si=kCm14SauILtZ-VMR

GENE WATSON – I DONT KNOW HOW TO TELL HER (https://youtu.be/EtCDco7_-p4?si=kCm14SauILtZ-VMR)

THE TRACK THAT NEARLY STAYED IN THE VAULT. When Merle Haggard and Leona Williams walked into the studio to record The Bull and the Beaver, enthusiasm wasn’t exactly overflowing from the label executives. Capitol Records considered the song too lighthearted, too mischievous—far removed from the rugged, dust-stained outlaw persona Merle had built over the years. But Merle wasn’t concerned with preserving an image. With that familiar crooked smile, he insisted that country music deserved a sense of humor now and then. He wasn’t aiming for another chart-topping hit; he was chasing a feeling. A playful spark in a genre often steeped in sorrow and struggle. Leona’s smooth, inviting harmonies intertwined effortlessly with Merle’s unmistakable drawl, giving the song a spirited chemistry—half flirtation, half comedy, entirely sincere. There was an audible ease in the performance, as if two artists were daring each other to bend the rules while still honoring the truth at the core of country storytelling. Listeners quickly picked up on that authenticity. Beneath the legend’s hardened exterior, they heard a man willing to loosen his guard without sacrificing credibility. And despite initial doubts from the suits, the song found its way up the charts. It served as yet another reminder that while heartbreak may define much of country music’s legacy, sometimes it’s the unexpected grin that makes a legend endure.

They said she would never find her voice…Then one night, she stepped into the spotlight and sang beside her father on stage.

“THEY SAID IT WAS THE END. SHE KNEW IT WAS FOREVER.” When Robin Gibb Took His Last Bow, Dwina Murphy Was Left Holding a Love the World Never Fully Understood.

In the mid-1970s, when Merle Haggard stood at the pinnacle of country music stardom, the applause often faded into something far more private. Behind the sold-out shows and bright stage lights, he carried a quiet burden — the accumulated weight of broken relationships, endless highways, and the solitude that success can’t erase. One evening, after stepping offstage, he returned to a modest motel room and turned on the television. An old black-and-white film flickered across the screen, filled with sweeping romances and neatly tied happy endings. As he watched the characters find effortless love and redemption, the contrast felt almost piercing. His own life had been far less cinematic — marked by failed marriages, restless touring, and the emotional distance that comes with living out of a suitcase. In that stillness, he began to reflect on how easily people measure their lives against fictional standards. Movies promise that love conquers all and that every heartbreak resolves before the final scene fades. Real life, however, offers no such guarantees. Expectations shaped by the silver screen often dissolve into disappointment when reality proves more complicated. From that quiet realization emerged “It’s All In The Movies.” The song became a tender acknowledgment that the flawless endings we admire are crafted illusions. Yet rather than sounding cynical, it carried empathy. For Haggard, it was both an admission of vulnerability and a gesture of reassurance — a reminder that imperfection does not diminish meaning. Through the melody, he seemed to tell listeners that while life may never follow a script, the emotions we feel are just as powerful as any scene in film. The movies may sell dreams, but the truth — messy, unfinished, and deeply human — is what truly endures.