OldiesButGoodies

Elvis Presley Rock & Roll

Elvis Presley – Treat Me Nice

Elvis Presley – Treat Me Nice Lyrics | Genius Lyrics

Introduction:

Recorded in 1957, Treat Me Nice is a energetic rock and roll song by the undisputed King of Rock and Roll himself, Elvis Presley. Though not released as a single, the song went on to become a fan favorite and a cornerstone of Presley’s live performances. It has earned its place as a rock and roll classic, inspiring and being covered by numerous artists over the years.

Treat Me Nice features the signature sound of Presley’s early rock and roll era. Presley’s vocals are powerful and charismatic, brimming with his youthful energy. He is backed by his legendary band featuring Scotty Moore on electric guitar, Bill Black on double bass, and D.J. Fontana on drums. The tight rhythm section lays down a driving beat, perfect for Presley’s signature dance moves. The song is believed to have been produced by the team of Sam Phillips, the owner of Sun Studio where Presley first rose to fame, and Scotty Moore himself.

The lyrics of Treat Me Nice portray a dynamic between a young man and woman. The singer expresses his devotion and willingness to be the woman’s “slave” if she treats him well. However, he also warns that he expects respect in return, and will not tolerate being mistreated. This interplay of devotion and self-respect reflects a common theme in early rock and roll, where young men sang about both their deep affection for their partners and their own sense of independence.

Treat Me Nice was first performed live in 1957 and quickly became a staple of Presley’s concerts. The song’s energetic tempo and catchy melody ensured that it got the crowd moving, showcasing Presley’s charisma and stage presence. While it wasn’t a commercial hit upon its release, Treat Me Nice gained a dedicated following among Presley’s fans and helped solidify his reputation as a dynamic live performer.

The legacy of Treat Me Nice extends beyond Presley’s original performances. The song’s influence can be heard in the work of numerous rock and roll artists who came after Presley, particularly those who embraced a more raw and energetic sound. It remains a popular choice for cover songs, and continues to be enjoyed by fans around the world. Treat Me Nice serves as a reminder of the electrifying sound that Presley brought to the world, and its place as a cornerstone of early rock and roll.

Video:

https://youtu.be/4LE2jmW9XdY?si=pyBENzLh8OcSpvlG

Lyrics:

When I walk through that doorBaby, be politeYou’re gonna make me soreIf you don’t greet me rightDon’t you ever kiss me once, kiss me twiceTreat me nice
I know that you’ve been toldIt’s not fair to teaseSo, if you come on coldI’m really gonna freezeIf you don’t want me to be cold as iceTreat me nice
Make me feel at homeIf you really careScratch my backAnd run your pretty fingers through my hair
You know I’ll be your slaveIf you ask me toBut if you don’t behaveI’ll walk right out on youIf you want my love then take my adviceTreat me nice
Make me feel at homeIf you really careScratch my back and run your prettyFingers through my hair
You know I’ll be your slaveIf you ask me toBut if you don’t behaveI’ll walk right out on youIf you want my love then take my adviceTreat me nice, treat me nice
If you really want my love then treat me nice

Related Post

Mortician Explains Elvis Presley’s Embalming, Funeral & Burial

What Happened To Bob Joyce At 74? Try Not To Gasp When You See It

“He Never Truly Got Over Losing Maurice.” Robin Gibb’s Final Words About His Brother Will Break Your Heart.

You Missed

Oldies Music

“AFTER NEARLY TWO DECADES IN MUSIC, CLIFF RICHARD WAS NO LONGER THE TEENAGE IDOL BRITAIN ONCE KNEW — THEN A SONG CALLED ‘DEVIL WOMAN’ GAVE HIM SOMETHING HE HAD NEVER TRULY ACHIEVED BEFORE…” By 1976, Cliff Richard had already experienced a lifetime of fame. He had been Britain’s answer to Elvis Presley, starred in successful films, and recorded songs that defined an entire generation. But the music world had changed. The Beatles had transformed British pop, new artists were dominating the charts, and the young rock-and-roll rebel of 1958 was now a 35-year-old performer searching for his place in a different musical era. Then came “Devil Woman.” Written by Terry Britten and Christine Holmes, the mysterious, guitar-driven song sounded unlike many of Cliff’s earlier hits. It became one of the defining recordings of his career. In Britain, it reached No. 9. But the real surprise came across the Atlantic. “Devil Woman” climbed to No. 6 on the Billboard Hot 100, giving Cliff his first major breakthrough in the American pop market. After nearly twenty years of success at home, he was finally reaching a new generation of listeners in the United States. It was more than another hit record. It proved that a singer who had emerged in the 1950s could still sound fresh in the 1970s. Cliff Richard hadn’t simply survived changing musical fashions. With “Devil Woman,” he reminded the world that his story was far from over.

Oldies Music

“Shadow Dancing” Put Andy Gibb’s Name on the Record—and All Four Brothers Behind the Song. In 1978, “Shadow Dancing” reached number one in America under Andy Gibb’s name. Its songwriting credit told a wider family story: Andy, Barry, Robin, and Maurice had written it together. The collaboration took shape in Los Angeles while the older brothers were working on the Sgt. Pepper’s Lonely Hearts Club Band film. Andy was building a solo career, and this record gave that career another defining success. Barry also shared production duties with Albhy Galuten and Karl Richardson, connecting Andy’s recording to the studio team behind the Bee Gees’ recent hits. Yet Andy remained the featured singer, carrying the song in his own voice. “Shadow Dancing” became his third consecutive American number one and Billboard’s leading single of 1978. Behind that individual achievement sits a rare, concrete document of all four Gibb brothers working on the same composition.

Oldies Music

Weeks After “Massachusetts” Reached Number One, Robin Gibb Survived the Hither Green Train Disaster. On November 5, 1967, Robin Gibb and Molly Hullis were aboard a train that derailed near Hither Green in southeast London. Forty-nine people died. Robin was seventeen, and the Bee Gees had recently reached number one in Britain with “Massachusetts,” a record carried by his unmistakable lead vocal. Within weeks, the young singer had experienced international recognition and a disaster in which fame offered no protection. Robin and Molly survived; they married the following year. The chronology gives this episode its force without requiring invented thoughts or dramatic embellishment. His public story was accelerating through records, television appearances, and growing attention, while his private life had encountered sudden catastrophe. Keeping those histories together reveals the vulnerability behind the photographs: a teenager whose voice was becoming familiar to millions had just survived a journey that killed dozens of fellow passengers.

Oldies Music

“IN 1968, CLIFF RICHARD WALKED ONTO THE EUROVISION STAGE WITH A SONG BRITAIN BELIEVED COULD WIN — BUT WHEN THE FINAL VOTES WERE COUNTED, JUST ONE POINT STOOD BETWEEN HIM AND VICTORY…” On April 6, 1968, Cliff Richard stepped onto the Eurovision stage at London’s Royal Albert Hall. He was already one of Britain’s biggest stars, and expectations were enormous. His song was called “Congratulations.” Bright, cheerful, and instantly memorable, it seemed perfectly suited to a contest watched by millions across Europe. But as the voting unfolded, the competition became painfully close. Britain and Spain were fighting for the top position. When the final scores were announced, Spain’s Massiel had won with 29 points. Cliff Richard finished second with 28. Just one point. For a singer accustomed to topping the British charts, it was a disappointing result on one of Europe’s biggest stages. Yet the story didn’t end with the scoreboard. “Congratulations” went on to reach No. 1 in the United Kingdom and became one of Cliff’s most recognizable recordings. Decades later, its melody remains associated with birthdays, anniversaries, and countless celebrations. There is something wonderfully ironic about that Eurovision night. The song called “Congratulations” didn’t win the contest. But it earned a place in popular culture that outlasted the disappointment of finishing second. Cliff Richard lost Eurovision by one point — yet more than half a century later, millions still remember the song.