Elvis Presley Rock & Roll

Elvis Presley – It’s Over

Introduction:

The song “It’s Over” is a classic rock and roll ballad recorded by Elvis Presley. It was released in 1969 as the B-side of the single “Suspicious Minds.” The song was written by Dave Clark, who was also the lead singer of the British rock band The Dave Clark Five.

“It’s Over” was a significant departure from Presley’s typical upbeat rock and roll songs. The song is a heart-wrenching ballad about a failed relationship. The lyrics are filled with despair and sadness, and Presley’s vocal performance is both powerful and emotive.

The song was a critical success, and it was praised for its emotional depth and Presley’s vocal performance. It was also a commercial success, reaching number 2 on the Billboard Hot 100 chart.

“It’s Over” is one of Presley’s most enduring songs, and it continues to be popular today. It has been covered by many artists over the years, including Johnny Cash, Cher, and Barbra Streisand. The song is a testament to Presley’s talent as a singer and his ability to connect with audiences on an emotional level.

Video:

https://youtu.be/LVtgPQkdkMs?si=AakePb1ichKQJrIN

Elvis Presley – It's Over (Aloha From Hawaii, Live in Honolulu, 1973) (https://youtu.be/LVtgPQkdkMs?si=AakePb1ichKQJrIN)

Merle Haggard built a career on telling hard truths—about heartache, prison walls, regret, and the long road of a man forever outrunning his own ghosts. He was country music’s lone drifter: unpolished, rebellious, and fearless when it came to exposing the wounds he carried. Theresa Haggard was never meant to stand beside him as a headline name, yet on one unforgettable night, she became the quiet force holding him upright. At what many now regard as his last live appearance, his body was visibly failing him. Midway through “Today I Started Loving You Again,” he surprised everyone. He signaled to the band to lower the volume. He didn’t meet the crowd’s gaze. Instead, he turned toward the shadowed edge of the stage and gently raised his hand, beckoning Theresa. She didn’t step forward to harmonize. She came to steady him. The auditorium fell into a reverent hush. There was no dramatic duet, no soaring finale—just the stark image of a once-restless outlaw resting his head against his young wife’s shoulder, drawing from her the strength he no longer had on his own. Supported by her quiet presence, he gathered himself and delivered the song’s final lines with trembling resolve. Many believe the greatest gift Merle left Theresa was not cataloged in gold records or chart history. He passed away on his birthday, and later, tucked inside the pocket of his jacket, a small cassette tape was discovered. It did not contain music. Instead, it held something far more intimate—a fragile confession, a deeply personal reckoning with chapters of his past he had never entrusted to journalists or public memory.

Last night, Indiana Feek stepped into the spotlight and performed Waltz of the Angels — the song her mother, Joey Feek, cherished above all others. Her voice was soft and pure, carrying such quiet grace that it seemed as though Joey’s spirit lingered within every single note.

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HEART-STOPPING TELEVISION MEMORY: On August 30, 1971, a youthful Cliff Richard and Olivia Newton-John stepped onto the live TV stage to sing about growing old side by side. They were barely at the beginning of their journeys, faces bright with innocence and promise. Yet the song they shared spoke tenderly of a lifetime together — of wrinkles, memories, and love that endures beyond youth. No one watching that night expected the performance to linger the way it did. What seemed like a simple duet quietly unfolded into something far deeper. Their harmonies carried a sincerity that transcended their years, and suddenly the audience wasn’t just hearing a song — they were feeling time itself. It became more than entertainment; it was a fleeting glimpse of forever, delivered by two young voices daring to imagine it.