OldiesButGoodies

Elvis Presley Rock & Roll

Elvis Presley – He Is My Everything

Elvis Presley - He Is My Everything (Official Audio) - YouTube

Introduction:

Released in 1972, not 1975, “He Is My Everything” showcased a different side of the iconic rock and roll legend, Elvis Presley. This gospel song, produced by Felton Jarvis, arrived two years before Presley’s passing and served as a powerful testament to his deep faith.

While Presley is primarily remembered for his electrifying performances and genre-bending hits that dominated the 1950s and 1960s, his gospel roots were undeniable. Raised Assemblies of God in Tupelo, Mississippi, Presley was surrounded by gospel music throughout his childhood. He frequently sang gospel tunes with his family and friends, and these influences permeated his musical identity.

Even at the height of his rock and roll fame, Presley never strayed far from his gospel foundation. He incorporated gospel elements into many of his recordings, and he released a number of well-received gospel albums throughout his career, including “His Hand in Mine” (1960) and “How Great Thou Art” (1967).

“He Is My Everything” belonged to this long-standing gospel tradition in Presley’s repertoire. The song itself is not credited to Presley as a songwriter. Dallas Frazier, a Nashville songwriter known for his work with artists like Connie Francis and Marty Robbins, penned the lyrics. However, Presley’s heartfelt delivery elevates the material, transforming it into a powerful expression of his personal faith.

“He Is My Everything” achieved significant recognition upon its release. The song topped the Billboard Hot Inspirational Singles chart, a testament to its resonance with listeners seeking spiritual solace. It also reached number 15 on the Billboard Hot Country Singles chart, showcasing its crossover appeal.

More importantly, “He Is My Everything” served as a poignant reminder of the multifaceted nature of Presley’s artistry. While he is often associated with the swagger and rebellion of rock and roll, this song offered a glimpse into his unwavering faith, a dimension that remained central to his life and music.

Video:

https://youtu.be/yfEujp5lOb0?si=AxM1YQkkdJi_44OG

Lyrics:

I long to be his possessionOh, he’s my everything
I remember my days of darknessWithout sunshine or sight to lead my wayBut a whisper of His voice softly callingTo the arms of my maker to stay
He is my reason for livingOh, He is the king of all kingsI long to be His possessionOh, He’s my everything
After the lighting and thunderAfter the last bell has rungI want to bow down before HimAnd hear Him say well done
He’s my reason for livingOh, He is the king of all kingsI long to be His possessionOh, He’s my everything
I long to be His possessionOh, He’s my everything

Related Post

Mortician Explains Elvis Presley’s Embalming, Funeral & Burial

What Happened To Bob Joyce At 74? Try Not To Gasp When You See It

“He Never Truly Got Over Losing Maurice.” Robin Gibb’s Final Words About His Brother Will Break Your Heart.

You Missed

Oldies Music

“AFTER NEARLY TWO DECADES IN MUSIC, CLIFF RICHARD WAS NO LONGER THE TEENAGE IDOL BRITAIN ONCE KNEW — THEN A SONG CALLED ‘DEVIL WOMAN’ GAVE HIM SOMETHING HE HAD NEVER TRULY ACHIEVED BEFORE…” By 1976, Cliff Richard had already experienced a lifetime of fame. He had been Britain’s answer to Elvis Presley, starred in successful films, and recorded songs that defined an entire generation. But the music world had changed. The Beatles had transformed British pop, new artists were dominating the charts, and the young rock-and-roll rebel of 1958 was now a 35-year-old performer searching for his place in a different musical era. Then came “Devil Woman.” Written by Terry Britten and Christine Holmes, the mysterious, guitar-driven song sounded unlike many of Cliff’s earlier hits. It became one of the defining recordings of his career. In Britain, it reached No. 9. But the real surprise came across the Atlantic. “Devil Woman” climbed to No. 6 on the Billboard Hot 100, giving Cliff his first major breakthrough in the American pop market. After nearly twenty years of success at home, he was finally reaching a new generation of listeners in the United States. It was more than another hit record. It proved that a singer who had emerged in the 1950s could still sound fresh in the 1970s. Cliff Richard hadn’t simply survived changing musical fashions. With “Devil Woman,” he reminded the world that his story was far from over.

Oldies Music

“Shadow Dancing” Put Andy Gibb’s Name on the Record—and All Four Brothers Behind the Song. In 1978, “Shadow Dancing” reached number one in America under Andy Gibb’s name. Its songwriting credit told a wider family story: Andy, Barry, Robin, and Maurice had written it together. The collaboration took shape in Los Angeles while the older brothers were working on the Sgt. Pepper’s Lonely Hearts Club Band film. Andy was building a solo career, and this record gave that career another defining success. Barry also shared production duties with Albhy Galuten and Karl Richardson, connecting Andy’s recording to the studio team behind the Bee Gees’ recent hits. Yet Andy remained the featured singer, carrying the song in his own voice. “Shadow Dancing” became his third consecutive American number one and Billboard’s leading single of 1978. Behind that individual achievement sits a rare, concrete document of all four Gibb brothers working on the same composition.

Oldies Music

Weeks After “Massachusetts” Reached Number One, Robin Gibb Survived the Hither Green Train Disaster. On November 5, 1967, Robin Gibb and Molly Hullis were aboard a train that derailed near Hither Green in southeast London. Forty-nine people died. Robin was seventeen, and the Bee Gees had recently reached number one in Britain with “Massachusetts,” a record carried by his unmistakable lead vocal. Within weeks, the young singer had experienced international recognition and a disaster in which fame offered no protection. Robin and Molly survived; they married the following year. The chronology gives this episode its force without requiring invented thoughts or dramatic embellishment. His public story was accelerating through records, television appearances, and growing attention, while his private life had encountered sudden catastrophe. Keeping those histories together reveals the vulnerability behind the photographs: a teenager whose voice was becoming familiar to millions had just survived a journey that killed dozens of fellow passengers.

Oldies Music

“IN 1968, CLIFF RICHARD WALKED ONTO THE EUROVISION STAGE WITH A SONG BRITAIN BELIEVED COULD WIN — BUT WHEN THE FINAL VOTES WERE COUNTED, JUST ONE POINT STOOD BETWEEN HIM AND VICTORY…” On April 6, 1968, Cliff Richard stepped onto the Eurovision stage at London’s Royal Albert Hall. He was already one of Britain’s biggest stars, and expectations were enormous. His song was called “Congratulations.” Bright, cheerful, and instantly memorable, it seemed perfectly suited to a contest watched by millions across Europe. But as the voting unfolded, the competition became painfully close. Britain and Spain were fighting for the top position. When the final scores were announced, Spain’s Massiel had won with 29 points. Cliff Richard finished second with 28. Just one point. For a singer accustomed to topping the British charts, it was a disappointing result on one of Europe’s biggest stages. Yet the story didn’t end with the scoreboard. “Congratulations” went on to reach No. 1 in the United Kingdom and became one of Cliff’s most recognizable recordings. Decades later, its melody remains associated with birthdays, anniversaries, and countless celebrations. There is something wonderfully ironic about that Eurovision night. The song called “Congratulations” didn’t win the contest. But it earned a place in popular culture that outlasted the disappointment of finishing second. Cliff Richard lost Eurovision by one point — yet more than half a century later, millions still remember the song.