Introduction:
Elvis Presley, the undisputed King of Rock and Roll, wasn’t afraid to explore different musical avenues throughout his career. While his early years were dominated by the electrifying sound that made him a global icon, Presley also possessed a deep connection with gospel music. This influence seeped into his recordings throughout his life, culminating in his later gospel albums. One such example is his 1972 rendition of “A Thing Called Love”, a song originally written and recorded by country singer-songwriter Jerry Reed in 1968.
Released on Presley’s gospel album “He Touched Me” in 1972, “A Thing Called Love” showcases a different side of the King. Gone are the swaggering rockabilly rhythms and suggestive lyrics. Instead, Presley delivers a soulful and heartfelt performance, his iconic voice imbued with a sincerity that resonates deeply. The song itself is a powerful ballad, extolling the virtues of love as a universal force. Its lyrics speak of love’s intangible nature, comparing it to the wind that “covers our land.” It emphasizes love’s strength, its ability to “rule the heart of many a man,” and its transformative power, lifting one up and turning their world “all around.”
While “A Thing Called Love” wasn’t a chart-topping hit for Presley, it holds a significant place within his vast discography. It serves as a testament to his versatility as a musician and his enduring connection to the genre that shaped his early musical foundation. The song was produced by Felton Jarvis, a longtime collaborator who helmed many of Presley’s recordings during the 1960s and 1970s. Jarvis’ production on “A Thing Called Love” is understated yet impactful, allowing Presley’s vocals and the gospel-tinged instrumentation to take center stage.
Presley’s version of “A Thing Called Love” is further enriched by the backing vocals of the Imperials, a vocal group who had been a mainstay in Presley’s live performances and recordings since the late 1950s. Their smooth harmonies blend seamlessly with Presley’s powerful delivery, adding a layer of depth and emotional resonance to the song. Notably, Presley’s recording also features an uncredited duet with Armond Morales, the bass singer of the Imperials. This subtle addition adds another dimension to the song’s overall texture, further solidifying the gospel feel.
“A Thing Called Love” may not be one of Presley’s most commercially successful recordings, but it remains a cherished gem for fans who appreciate his exploration of gospel music. It’s a song that showcases the King’s undeniable talent and his ability to connect with listeners on a deeper emotional level.