Brenda Lee – Rockin’ Around the Christmas Tree

Introduction:

Brenda Lee’s “Rockin’ Around the Christmas Tree” is a beloved holiday song that has been a staple on Christmas playlists for decades. Released in 1958, the song quickly became a popular hit, capturing the spirit of the season with its infectious rhythm and joyful lyrics.

The song was written by Johnny Marks and composed by Mel Torme, who originally recorded the song in 1954. However, it was Brenda Lee’s version that truly resonated with audiences and propelled the song to iconic status. Lee, a young country singer at the time, brought a fresh and energetic approach to the song, infusing it with her powerful vocals and youthful exuberance.

“Rockin’ Around the Christmas Tree” features a catchy melody and upbeat tempo that perfectly complement the festive theme. The lyrics paint a vivid picture of holiday celebrations, with references to decorating trees, hanging stockings, and enjoying the company of loved ones. Lee’s lively performance captures the excitement and joy of the season, making the song an irresistible listen for people of all ages.

Over the years, “Rockin’ Around the Christmas Tree” has been covered by countless artists, solidifying its place as a timeless holiday classic. Its enduring popularity can be attributed to its ability to evoke feelings of nostalgia, happiness, and celebration. Whether you’re listening to it while wrapping presents, decorating your home, or simply enjoying a cozy evening with family and friends, this beloved song is sure to bring a smile to your face and fill your heart with holiday cheer.

Video:

https://youtu.be/JriX4uMWkyk?si=3oDpXwo8FN7KsZVb

Brenda Lee Rockin' Around the Christmas Tree 1958 (Bailando Rock Alrededor del Árbol de Navidad) (https://youtu.be/JriX4uMWkyk?si=3oDpXwo8FN7KsZVb)

A VOICE SENT FROM HEAVEN— INDIANA’S HEARTFELT TRIBUTE TO HER BELOVED MOTHER: Last night, young Indiana walked bravely onto the stage and delivered a moving rendition of “Waltz of the Angels,” the cherished song her mother, Joey, loved so dearly. With a voice so tender and untainted, it felt as though Joey herself was singing through her daughter — every note carrying both memory and grace. In the front row, Rory Feek sat quietly among country music legends, his gaze never leaving Indiana. Beneath the brim of his hat, emotion gathered — a father witnessing not just a performance, but a sacred moment. It was more than a song; it was a bridge between heaven and earth, between a mother and her child.

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Merle Haggard never avoided the hard edges of reality. His catalog was built on lived experience — incarceration while the echo of cell doors still lingered, poverty recalled without romanticism, and the complicated mix of defiance and pride in a country that rarely offered second chances. Authenticity wasn’t a marketing angle for him; it was biographical fact. Listeners trusted his voice because it carried the weight of consequences already endured. Yet there was one composition he completed and ultimately chose not to record. It wasn’t artistically flawed. It didn’t contradict his outlaw persona. In fact, it may have been the most powerful thing he ever wrote. He set it aside for a different reason: it was unfiltered to a degree that even he found unsettling. Rebellion can be theatrical. Vulnerability is not. And this particular song stripped away the mythology. Unlike his politically charged anthems or blue-collar manifestos, this piece focused on a single individual — someone who steadied him during seasons when his world was splintering. It wasn’t about national identity or personal toughness. It was about dependence. About survival made possible because another human being refused to walk away. Had it been released, the public might have seen a different portrait. Not the solitary outlaw riding against the current, but a man acknowledging that endurance is often collaborative. That strength can coexist with gratitude. And that even legends lean on someone when the stage lights go dark. Haggard understood narrative construction. Cultural icons are often shaped around independence, grit, and defiance. Gratitude, especially personal gratitude, complicates that archetype. It introduces humility into a story built on resilience. He recognized the cost of revealing that layer — and chose silence. Perhaps that silence speaks louder than the song ever could. Because when an artist whose entire career was rooted in truth decides something is “too true,” it suggests a truth that reaches beyond performance. It hints at an emotional confession that would have reframed the mythology. If that recording had surfaced, would we see Merle Haggard differently today? And who was the person he was finally prepared — perhaps privately — to thank?