OldiesButGoodies

Country

Ben Haggard – “Are the Good Times Really Over (I Wish a Buck Was Still Silver)”

Ben Haggard - Are The Good Times Really Over (I Wish A Buck Was Still Silver)

Introduction:

Ben Haggard’s “Are the Good Times Really Over (I Wish a Buck Was Still Silver),” released in 1965, is a poignant reflection on the changing times and the nostalgia for a simpler past. The song, written by Merle Haggard himself, captures the anxieties and disillusionment of a generation grappling with economic uncertainty and social upheaval.

The song’s title itself encapsulates its central theme: the yearning for a return to a time when a dollar held more value and life seemed less complicated. Haggard’s lyrics paint a vivid picture of a bygone era, recalling a time when gas was cheap, jobs were plentiful, and a man could support his family on a modest wage. He laments the loss of traditional values, the decline of small-town communities, and the rise of social unrest.

The song’s melancholic tone is further emphasized by Haggard’s distinctive baritone voice and the mournful instrumentation, featuring steel guitar and fiddle. The lyrics resonate with a sense of longing and regret, as Haggard contemplates the fading dreams of a generation that witnessed the decline of the American Dream.

“Are the Good Times Really Over” became a signature song for Haggard, solidifying his status as a voice for the working class and a chronicler of rural life. The song’s enduring popularity speaks to its timeless appeal, as it continues to resonate with listeners who grapple with similar anxieties about economic insecurity and social change.

Video:

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THE LAST TIME THE CROWD ROSE FOR MERLE HAGGARD — HE WOULD NEVER WALK ONSTAGE AGAIN. They carried him through the doors wrapped in the very flag he once sang about — and in the stillness that followed, there was something almost audible… a fragile echo only lifelong listeners could feel in their bones. Merle Haggard’s story closed the same way it opened: unpolished, honest, and deeply human. From being born in a converted boxcar during the Great Depression to commanding the grandest stages across America, his life unfolded like a country ballad etched in grit, regret, resilience, and redemption. Every lyric he sang carried the weight of lived experience — prison walls, hard roads, blue-collar truths, and hard-earned second chances. Those who stood beside his casket said the atmosphere felt thick, as if the room itself refused to forget the sound of his voice. It wasn’t just grief in the air — it was reverence. A stillness reserved for someone whose music had become stitched into the fabric of ordinary lives. One of his sons leaned close and murmured, “He didn’t really leave us. He’s just playing somewhere higher.” And perhaps that’s the only explanation that makes sense. Because artists like Merle don’t simply vanish. They transform. They become the crackle of an AM radio drifting through a late-night highway. They become the soundtrack of worn leather seats and long stretches of open road. They live in jukebox corners, in dance halls, in quiet kitchens where memories linger longer than the coffee. Somewhere tonight, a trucker tunes in to an old melody. Somewhere, an aging cowboy lowers his hat and blinks back tears. And somewhere in that gentle hum of steel guitar and sorrow, a whisper carries through: “Merle’s home.”

Gene Watson – Dreams Of A Dreamer Gone Blind

On April 6, 2016 — the very day he turned 79 — Merle Haggard took his final breath after calmly telling his family, “Today’s the day.” No dramatic hospital chaos. No public spectacle. Just a man who had always lived on his own terms choosing to meet the end the same way. His departure was as deliberate and unshaken as the outlaw spirit that defined him. While the world mourned, Haggard exited quietly — steady, self-possessed, unapologetically himself. And though his voice fell silent that day, it never truly faded. Through songs like “Sing Me Back Home,” his legacy still echoes — raw, haunting, and impossible to forget.

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THE LAST TIME THE CROWD ROSE FOR MERLE HAGGARD — HE WOULD NEVER WALK ONSTAGE AGAIN. They carried him through the doors wrapped in the very flag he once sang about — and in the stillness that followed, there was something almost audible… a fragile echo only lifelong listeners could feel in their bones. Merle Haggard’s story closed the same way it opened: unpolished, honest, and deeply human. From being born in a converted boxcar during the Great Depression to commanding the grandest stages across America, his life unfolded like a country ballad etched in grit, regret, resilience, and redemption. Every lyric he sang carried the weight of lived experience — prison walls, hard roads, blue-collar truths, and hard-earned second chances. Those who stood beside his casket said the atmosphere felt thick, as if the room itself refused to forget the sound of his voice. It wasn’t just grief in the air — it was reverence. A stillness reserved for someone whose music had become stitched into the fabric of ordinary lives. One of his sons leaned close and murmured, “He didn’t really leave us. He’s just playing somewhere higher.” And perhaps that’s the only explanation that makes sense. Because artists like Merle don’t simply vanish. They transform. They become the crackle of an AM radio drifting through a late-night highway. They become the soundtrack of worn leather seats and long stretches of open road. They live in jukebox corners, in dance halls, in quiet kitchens where memories linger longer than the coffee. Somewhere tonight, a trucker tunes in to an old melody. Somewhere, an aging cowboy lowers his hat and blinks back tears. And somewhere in that gentle hum of steel guitar and sorrow, a whisper carries through: “Merle’s home.”

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Gene Watson – Dreams Of A Dreamer Gone Blind

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