Introduction:
In 1993, during the release of Size Isn’t Everything, the Bee Gees—Barry, Robin, and Maurice Gibb—sat down for a rare, deeply personal interview that offered fans more than anecdotes from a legendary career. What unfolded was a candid conversation about music, family, grief, artistic evolution, and the unshakable bond that kept them moving forward through triumphs and tragedies.
The discussion opened with the group’s then-new single Paying the Price of Love, a production they described as “like a movie,” visually ambitious and far more elaborate than their earlier work. After three decades in the pop universe, the brothers admitted they had indeed paid a price—sacrificing relationships, privacy, and peace of mind. Barry spoke openly about the dissolution of his first marriage, while all three reflected with painful honesty on the loss of their brother Andy in 1988, and the passing of their father the following year. “It’s all connected,” Robin said. “There are ups and downs in everybody’s lives, but a long career like ours comes with a fee.”
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Despite their fame, the Gibbs never saw themselves as tabloid material. “We’re not that type of act,” Maurice noted. Their lives—steady, disciplined, family-centric—simply didn’t carry the scandals that gossip culture craved. Instead, the brothers placed their energy into causes they cared deeply about, including dedicating “Blue Island” to the children affected by the Yugoslav Wars, a gesture rooted in compassion and a plea for the world not to forget its most vulnerable.
The interview also brought back memories from their early years, including performances in Norway during the late 1960s. Their international upbringing—born in Britain, raised in Australia, seasoned in America—gave them a truly global identity. “We’re multicultural,” they said, though proudly British at heart.
As the conversation shifted toward their craft, the Gibbs revealed familiar humor and brotherly teasing. Maurice described the dynamic on stage: the fun, the perfectionism, and even Barry’s quiet endurance of severe back pain during concerts. They also revisited the birth of Barry’s iconic falsetto during the Main Course sessions—a spontaneous experiment that became a defining element of the Bee Gees’ sound.

Looking ahead to their 30th album, the brothers emphasized freedom, joy, and artistic curiosity. Size Isn’t Everything, they explained, was about making music they loved without bending to trends. Though influenced at moments by The Beach Boys, Phil Collins, and classic R&B, the Bee Gees remained unmistakably themselves. “When we start singing,” Maurice said, “it’s our sound.”
Ultimately, the interview stands as a powerful reminder of what made the Bee Gees more than a musical phenomenon: their resilience, unity, honesty, and humanity. Through pain and celebration, reinvention and remembrance, their voices rose—three brothers navigating the world together, harmonizing through every chapter.
