OldiesButGoodies

Country

Alan Jackson – I Still Like Bologna

I Still Like Bologna - song by Alan Jackson | Spotify

Introduction:

Alan Jackson‘s “I Still Like Bologna” is an unexpected yet endearing addition to the country music star’s discography. Released in 2009 as the fifth single from his Good Time album, the track is a playful departure from Jackson’s typical ballad-driven material. Known for his traditional country sound, this song showcases the artist’s ability to embrace a lighter, more humorous tone while maintaining his signature vocal warmth.

Produced by Keith Stegall, a frequent collaborator of Jackson’s, “I Still Like Bologna” is a feel-good anthem that celebrates simple pleasures and nostalgia. While not a groundbreaking or chart-topping hit, the song resonated with fans who appreciated Jackson’s willingness to experiment with different subject matter. Its relatable lyrics and catchy melody contributed to its modest success, and it remains a fan favorite for its lighthearted and down-to-earth charm.

The song’s music video, featuring Jackson enjoying a bologna sandwich and reminiscing about simpler times, perfectly complements the track’s overall message. “I Still Like Bologna” may not be the song that defines Alan Jackson’s career, but it certainly adds a unique and enjoyable chapter to his discography.

Video:

https://youtu.be/g0mjcMgRmyE?si=75bYesbOEUQ3tXfs

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In the mid-1970s, when Merle Haggard stood at the pinnacle of country music stardom, the applause often faded into something far more private. Behind the sold-out shows and bright stage lights, he carried a quiet burden — the accumulated weight of broken relationships, endless highways, and the solitude that success can’t erase. One evening, after stepping offstage, he returned to a modest motel room and turned on the television. An old black-and-white film flickered across the screen, filled with sweeping romances and neatly tied happy endings. As he watched the characters find effortless love and redemption, the contrast felt almost piercing. His own life had been far less cinematic — marked by failed marriages, restless touring, and the emotional distance that comes with living out of a suitcase. In that stillness, he began to reflect on how easily people measure their lives against fictional standards. Movies promise that love conquers all and that every heartbreak resolves before the final scene fades. Real life, however, offers no such guarantees. Expectations shaped by the silver screen often dissolve into disappointment when reality proves more complicated. From that quiet realization emerged “It’s All In The Movies.” The song became a tender acknowledgment that the flawless endings we admire are crafted illusions. Yet rather than sounding cynical, it carried empathy. For Haggard, it was both an admission of vulnerability and a gesture of reassurance — a reminder that imperfection does not diminish meaning. Through the melody, he seemed to tell listeners that while life may never follow a script, the emotions we feel are just as powerful as any scene in film. The movies may sell dreams, but the truth — messy, unfinished, and deeply human — is what truly endures.

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