Introduction:

There are songs that make you tap your feet. There are songs that get stuck in your head.
And then there are songs like this one — that sit quietly beside you and hold your heart for a while.

“Cryin’ for Me (Wayman’s Song)” isn’t just a tribute. It’s a deeply personal goodbye.

Written after the passing of Toby Keith’s close friend Wayman Tisdale — a former NBA star turned jazz musician — the song feels like an open letter that was never meant for the radio. It’s soft-spoken, but powerful. There’s no anger, no bitterness. Just love, sorrow, and the kind of grief that comes from losing someone who left too soon, but lived well.

The lyrics are honest and unpolished, as if Toby is speaking directly to his friend:
“I’m not cryin’ ‘cause I feel so sorry for you. I’m cryin’ for me.”

What really brings the song to life is the music itself — especially with Marcus Miller on  bass and Dave Koz’s soulful  saxophone wrapping around Toby’s voice like a warm memory. The blend of country and jazz doesn’t just work — it feels right. It captures the spirit of Wayman, who bridged those worlds so effortlessly in his own life.

If you’ve ever lost someone who made the room brighter just by walking in — you’ll understand this song immediately. It doesn’t shout its pain. It sits with it. Honors it. And lets it breathe.

It reminds us: sometimes the best way to say “I love you” is simply to say, “I miss you.”

Video:

You Missed

“He Left the World the Same Way He Faced It — Unapologetically.” Those words seemed to linger in the silence when the news broke. On April 6, 2016, Merle Haggard took his final breath in a moment that felt almost scripted by destiny. Family members later recalled him quietly saying, “Today’s the day.” It was — the country legend passed away on his 79th birthday, at home in Palo Cedro, California, after years of fragile health. His life began far from glamour: born in a converted boxcar in Oildale, California, shaped by poverty, dust, and loss. His father died when Merle was just nine, and the years that followed led him down a troubled road — arrests, bar fights, and eventually a prison sentence at San Quentin. Then came the night that changed everything. Watching Johnny Cash perform behind those walls, Merle made a silent promise: he would not be remembered as a cautionary tale. When he walked free in 1960, he carried his scars into song. “Mama Tried,” “Branded Man,” “Sing Me Back Home” — music carved from lived pain, sung for those who felt forgotten. His voice wasn’t polished; it was true. And that truth became country music’s backbone. Those who knew him speak of a man both rough-edged and deeply gentle. Willie Nelson called him a brother. Tanya Tucker remembered quiet days by the river, sharing simple food and simpler laughter. When he left, it felt personal — like losing a memory that once knew your name. He died on his birthday. Coincidence or control? His son Ben later revealed Merle had foretold the day, as if choosing his own final note. And maybe he did. Because legends don’t disappear — they reverberate. Every time “Sing Me Back Home” plays, Merle Haggard is still here.