OldiesButGoodies

Country

Alan Jackson – It’s Five O’ Clock Somewhere

Introduction:

In the sweltering summer of 2003, country music fans were introduced to a song that captured the universal yearning for the end of the workday with a tropical twist. “It’s Five O’Clock Somewhere,” a duet by country music mainstays Alan Jackson and Jimmy Buffett, became an instant sensation, topping charts and solidifying its place as an anthem for those longing to unwind after a long day.

While the sentiment of celebrating the end of the workday is a common theme in country music, “It’s Five O’Clock Somewhere” injects a dose of Buffett’s signature laid-back, island vibe. Jackson, known for his traditional country sound and heartfelt vocals, perfectly complements Buffett’s beachy persona. This unlikely pairing creates a song that transcends genre, appealing to both country traditionalists and those who crave a taste of paradise.

The song’s origins lie with songwriters Jim “Moose” Brown and Don Rollins. They crafted a simple yet relatable scenario: a worker stuck in a seemingly endless workday, longing for the freedom of quitting time. The brilliance lies in the now-iconic chorus: “Pour me somethin’ tall an’ strong/ Make it a Hurricane before I go insane/ It’s only half-past twelve but I don’t care/ It’s five o’clock somewhere.” This line beautifully captures the feeling of breaking free from the constraints of work, regardless of the actual time. It’s an indulgence, a playful defiance against the daily grind, a reminder that somewhere in the world, it truly is cocktail hour.

“It’s Five O’Clock Somewhere” was released in June 2003 as the lead single from Jackson’s compilation album, Greatest Hits Volume II. The song became a massive commercial success, reaching number two on the Billboard Hot Country Songs chart and number 14 on the Billboard Hot 100 chart. It resonated with listeners across demographics, becoming a party staple and a go-to karaoke rendition.

The song’s impact wasn’t limited to the charts. “It’s Five O’Clock Somewhere” became a cultural phenomenon, a catchphrase uttered by those yearning for a break. It spawned countless t-shirts, bar signs, and even a brand of margarita mix. The song’s success cemented Buffett’s reputation as the king of “Parrothead” culture, a laid-back philosophy centered on escaping to tropical destinations, and further solidified Jackson’s position as a country music icon.

While not without its light-hearted escapism, “It’s Five O’Clock Somewhere” also celebrates the value of hard work. The song acknowledges the drudgery of the workday, but it also highlights the satisfaction of a job well done and the simple joy of unwinding after a long day’s effort. It’s a reminder to savor those moments of relaxation, a feeling that transcends genre and resonates with anyone who has ever punched a clock.

Video:

https://youtu.be/BPCjC543llU?si=K8igs9419oOn6RTM

Lyrics:

… The sun is hot and that old clock is movin’ slowAn’ so am IWork day passes like molasses in wintertimeBut it’s JulyI’m gettin’ paid by the hour, an’ older by the minuteMy boss just pushed me over the limitI’d like to call him somethin’I think I’ll just call it a day
… Pour me somethin’ tall an’ strongMake it a Hurricane before I go insaneIt’s only half-past twelve but I don’t careIt’s five o’clock somewhere
… Oh, this lunch break is gonna take all afternoonAn’ half the nightTomorrow mornin’, I know there’ll be hell to payHey, but that’s all rightI ain’t had a day off now in over a yearOur Jamaican vacation’s gonna start right hereHit the phones for meYou can tell ’em I just sailed away
… An’ pour me somethin’ tall an’ strongMake it a Hurricane before I go insaneIt’s only half-past twelve but I don’t careIt’s five o’clock somewhere
… I could pay off my tab, pour myself in a cabAn’ be back to work before twoAt a moment like this, I can’t help but wonderWhat would Jimmy Buffet do?
… Funny you should ask, Alan… I’d sayPour me somethin’ tall an’ strongMake it a Hurricane before I go insaneIt’s only half-past twelve but I don’t care
… Pour me somethin’ tall an’ strongMake it a Hurricane before I go insaneIt’s only half-past twelve but I don’t care(He don’t care)I don’t careIt’s five o’clock somewhere
… What time zone am on? What country am I in?It doesn’t matter, it’s five o’clock somewhereIt’s always on five in Margaritaville, come to think of itYeah, I heard thatYou been there haven’t youYessirI seen your boat thereI’ve been to Margaritaville a few timesAll right, that’s goodStumbled all the way backOK, just wanna make sure you can keep it between the navigational beaconsBring the booze, I tell youAll right, well, it’s five o’clockLet’s go somewhereI’m ready, crank it upLet’s get out of hereI’m gone

Related Post

Merle Haggard’s childhood was becoming increasingly chaotic when something entered his life that would eventually change everything: a guitar. His older brother Lowell gave him one when Merle was around 12. Merle began teaching himself, absorbing the records and styles of country heroes such as Bob Wills, Lefty Frizzell and Hank Williams. There were no expensive lessons preparing him for Nashville. There was simply a troubled California kid listening closely and learning how another man’s sadness could live inside a melody. Merle would still make plenty of mistakes. Music didn’t instantly rescue him from running away, juvenile detention or eventually prison. But the guitar remained. Years later, millions would recognize Merle’s voice within seconds. Perhaps that’s because he wasn’t merely learning how to sing songs as a boy. He was slowly learning how to tell the truth about his own life.

Merle Haggard rarely needed to invent heartbreak. He had known it since childhood. In 1946, when Merle was only nine years old, his father, James Haggard, died following a stroke. For a boy who deeply needed his father’s presence, the loss became a turning point. His mother, Flossie, worked to support the family. Merle, meanwhile, became increasingly restless. He skipped school, ran away, got into trouble, and began a long journey through juvenile institutions that eventually led somewhere far darker. Looking back at his life, it is difficult not to see that nine-year-old boy behind many of the adult Merle Haggard’s songs. People later called him a rebel, an outlaw and a survivor. But before any of those labels existed, there was simply a grieving boy who had lost his dad—and never seemed to completely outrun that loss.

THE RAREST BEE GEES MOMENT OF ALL — FOUR GIBB BROTHERS, ONE SONG, ONE STAGE… AND A MEMORY FILLED WITH BOTH JOY AND HEARTBREAK.

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