OldiesButGoodies

Country

Toby Keith – You Shouldn’t Kiss Me Like This

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Introduction:

Released in 1999 as part of Toby Keith’s album How Do You Like Me Now?!, You Shouldn’t Kiss Me Like This is a country song that would solidify Keith’s place among country music’s biggest stars. Written by Keith himself, the song explores the complex emotions of a man drawn to a woman already in a relationship.

You Shouldn’t Kiss Me Like This wasn’t just written by Keith, but produced by James Stroud alongside Keith himself. Stroud, known for his work with artists like Wynonna Judd and Ronnie Milsap, would help shape the sonic landscape of the song.

The song’s narrative centers around a man wrestling with his feelings for a woman who isn’t available. The lyrics paint a picture of stolen glances, late-night encounters, and the internal conflict of wanting something that can’t be. You Shouldn’t Kiss Me Like This struck a chord with audiences, likely due to its relatable portrayal of emotional entanglement.

You Shouldn’t Kiss Me Like This became a massive commercial success. The song reached number one on the Billboard Hot Country Singles chart and climbed to number two on the prestigious Billboard Hot 100 chart. This crossover success, landing high on a chart that typically showcases pop music, brought Toby Keith to a wider audience and solidified his status as a country music powerhouse.

Critical reception for You Shouldn’t Kiss Me Like This was also positive. Reviewers praised the song’s emotional depth and catchy melody. Some highlighted Keith’s distinctive vocals, which added a layer of authenticity to the song’s narrative. The song’s critical and commercial success helped propel Keith’s career to new heights, solidifying his position as a major force in country music.

Video:

https://youtu.be/zwV2VM54CYA?si=qA7231ZKr-YxsHuV

Lyrics:

I got a funny feelin’The moment that your lips touched mineSomethin’ shot right through meMy heart skipped a beat in time
There’s a different feel about you tonightIt’s got me thinkin’ lots of crazy thingsI even think I saw a flash of lightIt felt like electricity
You shouldn’t kiss me like this, unless you mean it like that‘Cause I’ll just close my eyes and I won’t know where I’m atWe’ll get lost on this dance floor, spinnin’ aroundAnd around and around and around
They’re all watching us now, they think we’re fallin’ in loveThey’d never believe we’re just friendsWhen you kiss me like this, I think you mean it like thatIf you do, baby, kiss me again
Everybody swears we make the perfect pairBut dancing is as far as it goesGirl, you’ve never moved meQuite the way you moved me tonightI just wanted you to know
I just wanted you to know
You shouldn’t kiss me like this, unless you mean it like that‘Cause I’ll just close my eyes and I won’t know where I’m atAnd we’ll get lost on this dance floor, spinning aroundAnd around and around and around
They’re all watching us now, they think we’re fallin’ in loveThey’d never believe we’re just friendsWhen you kiss me like this, I think you mean it like thatIf you do, baby, kiss me againKiss me again

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Merle Haggard’s childhood was becoming increasingly chaotic when something entered his life that would eventually change everything: a guitar. His older brother Lowell gave him one when Merle was around 12. Merle began teaching himself, absorbing the records and styles of country heroes such as Bob Wills, Lefty Frizzell and Hank Williams. There were no expensive lessons preparing him for Nashville. There was simply a troubled California kid listening closely and learning how another man’s sadness could live inside a melody. Merle would still make plenty of mistakes. Music didn’t instantly rescue him from running away, juvenile detention or eventually prison. But the guitar remained. Years later, millions would recognize Merle’s voice within seconds. Perhaps that’s because he wasn’t merely learning how to sing songs as a boy. He was slowly learning how to tell the truth about his own life.

Merle Haggard rarely needed to invent heartbreak. He had known it since childhood. In 1946, when Merle was only nine years old, his father, James Haggard, died following a stroke. For a boy who deeply needed his father’s presence, the loss became a turning point. His mother, Flossie, worked to support the family. Merle, meanwhile, became increasingly restless. He skipped school, ran away, got into trouble, and began a long journey through juvenile institutions that eventually led somewhere far darker. Looking back at his life, it is difficult not to see that nine-year-old boy behind many of the adult Merle Haggard’s songs. People later called him a rebel, an outlaw and a survivor. But before any of those labels existed, there was simply a grieving boy who had lost his dad—and never seemed to completely outrun that loss.

THE RAREST BEE GEES MOMENT OF ALL — FOUR GIBB BROTHERS, ONE SONG, ONE STAGE… AND A MEMORY FILLED WITH BOTH JOY AND HEARTBREAK.

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